Scott Elk
Desire Lines - Blue Fish Point Northhead, 2022.
Stoneware ceramic, gold lustre.
31cm x 28cm x 28cm approx.

This artwork came through a culmination of making and glaze experimentation, here using my Desire Lines visual language to recall water crashing on cliffs, and walking trails.

This vase is one of two variations on the same theme. Both works commemorate the 88+ gay men murdered in the Eastern Suburbs of Sydney, Australia, between 1970 - 2010; many of these murders were recorded by police as accidents or unexplained deaths, and not investigated as hate crimes.

DETAIL:

Desire Lines

The majority of work produced in 2022 falls into my Desire Lines series of paintings, drawings, screenprints, and ceramics. The series is about relationship to place, connection to people, and the sometimes intoxicating, head-fucking connection of physical interaction.

A desire line, is a term often referred to in urban or transportation planning, as a path created as a consequence of human traffic. The path usually represents the shortest or most easily navigated route between an origin and destination. It is the way taken by choice, by desire, and by necessity when following the heart. It is movement with intention.

In a real world practical application, the desire lines have the possibility to connect people resulting in events along a time line. I see people as these spinning vortexes of energy, in a positive sense like galaxies spinning and reaching out, and in contrast, negatively sucking everything towards themselves like black holes spinning. When two of these things collide, wondrous and unexpected things can happen; colours swirl, planets could be flung out of orbit, or set in a new orbit, momentarily or until the end of time. My interpretation of these desire lines is constantly searching to insert the human element of connection into fragmented, and abstracted forms.